I thought I’d talk a little bit about my process. I teach a course called Ideation and Prototyping to engineering students. It’s an interesting course to teach students. Many of…
FCA Grant Early this year, I received a grant from the Foundation for Contemporary Arts from their COVID-19 Funds. This has been incredibly helpful to mitigate expenses and losses due…
Harvestworks Residency on Governors Island
The New York Electronic Arts Festival has pushed back its 2020 exhibition until the pandemic subsides. As a result, some of the artists that were…
The vision that has been consistent throughout this odyssey, is glowing soft fiber structures. This vision has haunted me since 2006. Since then, I’ve looked into numerous ways to accomplish…
Since my last prototypes of surface manipulation on my machine knit samples, I dove in with a large machine knit piece of wool. I used a 1-ply acrylic (blue) to…
I had created a few different prototypes with different surface design treatments for other experiments. The style of stitch is key here. Yet, the last piece I did surface design…
Influenced by the cultural shifts that technology creates, this series of fiber installations imagines a future dystopia warped by technology. The surreptitious collection of personal data has led to a…
I joined the Textile Study Group of New York last year. As my hunger for textile and fiber work increases, I’ve been taking in different content streams to widen my…
I developed the interactive software code for Luciferins, quite some time ago…. last April in fact. I’m using Max/MSP, a visual programing language for artists, educators, musicians and researchers, where…
I was lucky to be selected to be one of Harvestworks New Works Residents (2019) for Luciferins. As residents, we work with technical teams to bring our projects into fruition.…